Today The Book Market returns to the centre of Famalicão this ThursdayCity Council Famalicão marks the 52nd anniversary of the Carnation RevolutionCulture and Tourism Casa das Artes in MayToday Famalicão pays tribute to the Famalicão Volunteer Fire Brigade at one of the town’s main entrancesEconomy Famalicão exports high-value precision: Ysium establishes itself in the most demanding global supply chainsEducation São Miguel de Seide Primary School is already undergoing refurbishmentSocial Work Children in Famalicão dress up as police officers to raise awareness of child abuseParishes Mário Passos in Joane to monitor infrastructure investments for the village’s futureEnvironment Collection of bio-waste in the villages of Joane, Ribeirão and Riba de Ave begins this weekSafety and Civil Protection Council open to a permanent solution for new GNR stations in FamalicãoSport The Famalicão Municipal Championships are a driving force for sporting cohesion in the municipalitySocial Work Famalicão marks “Child Abuse Prevention Month”City Council The council’s healthy financial position allows for a reduction in property tax and the progress of infrastructure projectsToday Literature and well-being take over the centre of Famalicão with the return of the “Vai à Vila” marketsHealth Famalicão Hospital to receive new infrastructure investmentsCulture and Tourism Famalicão celebrates Holy Week with a varied programmeSport 10th Famalicão Sports Gala takes place on 9th of November

Agenda Municipal / Movies The Servant

The Servant
Thu 26 May
Cineclube de Joane programme ( There are no Cinephiles left?! -, Losey, the exiled)

Casa das Artes | Small Auditorium - 21h45

Admission: 4 euros | free for members of the Cineclube de Joane | Organisation: Cineclube de Joane | Great Britain, 1963 | Director: Joseph Losey | Cast: Dirk Bogarde, Sarah Miles, James Fox, Wendy Craig | Rating: M/12 | Runtime: 115 min.

Hugo (Dirk Bogarde) is a servant who gradually manipulates his master (James Fox) into resigning himself to a position of subservience, in a hallucinatory exercise in subverting traditional power relations. A psychological drama wrapped in a claustrophobic atmosphere, the film is a direct attack on the class system and the fragility of the English aristocracy. With a screenplay by Harold Pinter (in the first of three cinematic collaborations between the celebrated playwright and Losey), The Servant enjoyed great critical and commercial success, also establishing Bogarde as one of the greatest British actors of his generation.

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