Today The Book Market returns to the centre of Famalicão this ThursdayCity Council Famalicão marks the 52nd anniversary of the Carnation RevolutionCulture and Tourism Casa das Artes in MayToday Famalicão pays tribute to the Famalicão Volunteer Fire Brigade at one of the town’s main entrancesEconomy Famalicão exports high-value precision: Ysium establishes itself in the most demanding global supply chainsEducation São Miguel de Seide Primary School is already undergoing refurbishmentSocial Work Children in Famalicão dress up as police officers to raise awareness of child abuseParishes Mário Passos in Joane to monitor infrastructure investments for the village’s futureEnvironment Collection of bio-waste in the villages of Joane, Ribeirão and Riba de Ave begins this weekSafety and Civil Protection Council open to a permanent solution for new GNR stations in FamalicãoSport The Famalicão Municipal Championships are a driving force for sporting cohesion in the municipalitySocial Work Famalicão marks “Child Abuse Prevention Month”City Council The council’s healthy financial position allows for a reduction in property tax and the progress of infrastructure projectsToday Literature and well-being take over the centre of Famalicão with the return of the “Vai à Vila” marketsHealth Famalicão Hospital to receive new infrastructure investmentsCulture and Tourism Famalicão celebrates Holy Week with a varied programmeSport 10th Famalicão Sports Gala takes place on 9th of November

Agenda Municipal / Movies The Criminal

The Criminal
Thu 25 Nov
Cineclube de Joane programme (There are no Cinephiles left?! -, Losey, the exiled)

Casa das Artes | Small Auditorium - 21h45
Entry: 4 euros | Free for members of the Cineclube de Joane | Country: Great Britain, 1960 | Directed by: Joseph Losey | Cast: Stanley Baker, Sam Wanamaker, Grégoire Aslan, Margit Saad | Rating: M/12 | Duration: 95 min

Johnny Bannion (Stanley Baker) is a notorious criminal who plans to celebrate his release from jail with a grand robbery at a racetrack. However, times have changed and Johnny's status in the criminal underworld is not enough to prevent his return to prison. Released in the US under the title Concrete Jungle, the film draws a violent and bold portrait of the British prison system, thus enshrining the political nature of Losey's cinema. The wit of his social commentary is here accompanied by a singular visual style that has consolidated the interest of the European and in particular the French, cinematic milieu in the work of the American filmmaker.

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